"If a theatrical performance is primarily seen and heard, the main action in Much Ado About Nothing is principally overheard. The act of noting defines the play. While this dependence on noting seems rather harmless if the task is tricking Beatrice and Benedick to fall in love, Claudio's mistaken noting threatens to upend the comedy and undo all of the matches." -From Elizabeth Howard's guide

The Canon Classics Worldview Guides provide an aesthetic and thematic Christian perspective on the most definitive and daunting works of Western Literature. The Worldview Guides focus on the big picture (both the good and the bad) without neglecting the details. Each Worldview Guide is a friendly literary coach-and a treasure map, and a compass, and a key-to help teachers, parents, and students appreciate, critique, and master the classics.

The bite-size WGs are divided into these ten sections (with some variation due to genre): Introduction, The World Around, About the Author, What Other Notables Said, Setting, Characters, & Argument, Worldview Analysis, Quotables, 21 Significant Questions & Answers, and Further Discussion & Review.

Worldview Guide for Much Ado About Nothing and The Return of the Prodigal Son

Worldview Guide for Much Ado About Nothing

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